Hobo Rig by Kevin Temmer

Hobo Cartoony Rig (Beta Now Available!) from Kevin Temmer on Vimeo.

ktemmer SS from Kevin Temmer on Vimeo.

The Hobo Rig by Kevin Temmer, inspired by the cartoony essence of flat television animation as well as the whacky style of Cloudy with a Chance of Meatballs; looks like a fun rig. The character has three different types of smiles, including a “normal” smile, giant-teeth smile, and gap-tooth smile. He also has a squash and stretch face and pupils, as well as some other fun cartoony features!
Be sure to check out the beta version of his amazing cartoon rig by clicking here.

Sed posuere consectetur est at lobortis

This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

All your supporting arguments must be communicated with simplicity and charm. And in such a way that the reader will read on. (After all, that’s a reader’s job: to read, isn’t it?) And by the time your readers have reached this point in the finished copy, you will have convinced them that you not only respect their intelligence, but you also understand their needs as consumers.

As a result of which, your entry will repay your efforts. Take your sales; simply put, they will rise. Likewise your credibility. There’s every chance your competitors will wish they’d placed this entry, not you. While your customers will have probably forgotten that your competitors even exist. Which brings us, by a somewhat circuitous route, to another small point, but one which we feel should be raised.

Long copy or short – You decide

As a marketer, you probably don’t even believe in body copy. Let alone long body copy. (Unless you have a long body yourself.) Well, truth is, who‘s to blame you? Fact is, too much long body copy is dotted with such indulgent little phrases like truth is, fact is, and who’s to blame you. Trust us: we guarantee, with a hand over our heart, that no such indulgent rubbish will appear in your entry. That’s why God gave us big blue pencils. So we can expunge every example of witted waffle.

For you, the skies will be blue, the birds will sing, and your copy will be crafted by a dedicated little man whose wife will be sitting at home, knitting, wondering why your entry demands more of her husband‘s time than it should.

But you will know why, won‘t you? You will have given her husband a chance to immortalize himself in print, writing some of the most persuasive prose on behalf of a truly enlightened purveyor of widgets. And so, while your dedicated reader, enslaved to each mellifluous paragraph, clutches his newspaper with increasing interest and intention to purchase, you can count all your increased profits and take pots of money to your bank. Sadly, this is not the real copy for this entry. But it could well be. All you have to do is look at the account executive sitting across your desk (the fellow with the lugubrious face and the calf-like eyes), and say ”Yes! Yes! Yes!“ And anything you want, body copy, dinners, women, will be yours. Couldn’t be fairer than that, could we?

Animation reference by David Good

David Good – Animation Reel from David Good on Vimeo.

A wonderful reference as shared by our animation instructors David Good to the students during body mechanics class.

“Check out the arcs on her hands, the stiffness of flexing muscles keeping her movements tight and accurate. But you only notice these things on a second viewing. What you feel is what the arcs etc combine to create. the principles are backstage things.
The principles are hidden and felt and always present but they point to an action…like they all combine to create something greater. So now that your starting to understand them and are working them into your animations use them to describe the feeling of muscles and mass and motivation so that we notice the those things and don’t notice the principles that make them up!” ~ David Good 

Join Puppeteer Lounge to learn character animation with Sony Picture’s animator David Good: